THE FONDS QUÉBECOR ANNOUNCES FUNDING FOR PRODUCERS UNDER ITS TELEVISION PRODUCTION ASSISTANCE PROGRAM

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MONTREAL, June 3, 2022 /CNW Telbec/ – The Board of Directors of the Quebecor Fund today announced the list of Canadian production companies that will benefit from financial support as part of the Fund’s 44th round of financing. Television production assistance programwhose submissions closed on April 1, 2022. In this cycle, the Fund will disburse a total of more than $2.4 million.

Under the Support for the Creation of Intellectual Property making up, $550,000 is granted to three projects of Productions KOTV inc., Productions Squeeze inc. and Productions Carpediem Inc. The broadcasters investing in the development of the projects are Société Radio-Canada and Télé-Québec. Under the Support for the production of intellectual property for international markets component, launched in partnership with the Canada Media Fund (CMF), the Quebecor Fund contributes $1,891,667 in this round and the FMC $593,333 for a total of $2,485,000. The contribution from the Quebecor Fund will be divided between nine fiction series produced by Productions Pixcom inc. (international distributor: Pixcom international inc.), Les Productions Sovimage inc. (international distributor: Encore Television – Distribution inc.), Trio Orange inc., Encore Television inc., Aetios Productions inc., Sphère Média inc., Les Productions ALSO inc. and Duo Productions Inc. The CMF contribution will be split between seven of these projects. The selected productions will be broadcast in Canada on Groupe TVA, Société Radio-Canada and Bell Media.

Since its creation in 1999, the Quebecor Fund Television production assistance program supported a total of 346 projects involving 98 production companies, 49 Canadian broadcasters and 59 foreign broadcasters with grants totaling more than $970.2 million under all its components combined. Of the funding granted since the spring of 2017 under the three components of the Quebecor Fund, 21% has gone to documentaries, 20% to children’s/youth programs, 20% to variety/performing arts and 39% to drama.

In the television and cross-platform sections of the Support for convergent production component, the Quebecor Fund granted a total of close to $770.4 million to date.

Counting this 11th lap of the Support for the Creation of Intellectual Property component, launched in March 2017, the Quebecor Fund has awarded repayable grants totaling more than $11.4 million to support creative projects of all genres that have received a financial commitment from a recognized French-language broadcasting programming undertaking (BPO).

Counting this 7th lap of the Support for the production of intellectual property for international markets component, launched in April 2019 in partnership with the Canada Media Fund (CMF), the Quebecor Fund has awarded repayable grants of more than $80.4 million and the CMF nearly $4 million, for a total of nearly $12.4 million. The money allows Quebec producers to add value to French-language fiction and documentaries and to break into international markets.

PRODUCTION PROJECTS FUNDED UNDER TELECTRONIC PRODUCTION ASSISTANCE PROGRAM

SUPPORT FOR THE PRODUCTION OF INTELLECTUAL PROPERTY FOR INTERNATIONAL MARKETS:

FICTION SERIES

Tributaries

When her neighbour, a Mexican refugee living in Canadais murdered, young lawyer Sarah Delean investigates and finds herself in over her head when she uncovers a web of intrigue involving eco-terrorists and a powerful mining company.

The emperor

In 2005, after a booze-soaked office party, Christian brings Manuela home and things spiral out of control. Despite the unfortunate incident, they continue to work together. Then, in 2015, a woman files a complaint with the police alleging that Christian raped her. Another woman comes forward, then several others. Christian is a powerful man with a wife and children; the accusations are hushed up. Christian is still on top of the world, but for how much longer?

Last summers of raspberries (The Time of raspberries)– season 2

Season 2 of Last raspberry summers will continue to explore the powerful universal themes of Season 1 with the authenticity, humanity and insight that characterize screenwriters Florence Longpré and Suzie Bouchardand director Philippe Falardeau.

The candidate

Alix, a single mother in difficulty, is invited to be a symbolic candidate for a third party. All she has to do is put her face on posters in a riding she has no chance of winning so the party can field a full slate of candidates. She accepts without thinking too much. Alix doesn’t suspect that what she thought was an insignificant favor would change her life.

One way ticket – season 2

How far will a group of lifelong friends go to protect one of their own? And what happens when things don’t go as planned?

Last resort

Eleanor (Sarah-Jeanne Labrosse) is a lawyer, Jacob (Pier-Luc Funk) is a reporter. Sometimes together, sometimes alone, they fight injustice, champion desperate causes, and fight rigid institutions to give the oppressed a chance and show that the system can work.

Disobey – Chantale Daigle’s Choice

The Chantale Daigle the case made the headlines Canada in the summer of 1989. Chantale Daigle’s Choice is a thriller-style miniseries about a young woman’s legal battle and the victory that would change Canada’s abortion law.

Neither do I – season 2

This season, the course of true love does not go smoothly for our heroes. In the manner of classic romantic comedies, their relationship is constantly thwarted by obstacles: bad timing, love triangles and misunderstandings with Sarah and Jean-François on the one hand, and Christian and Myriam, who think back to their separation, from the other.

My mother

My mother tells the complicated but ultimately uplifting story of Chantal Bélanger, a woman in her fifties who is released from prison after serving an 18-month sentence for fraud. While inside, she was diagnosed with bipolar disorder.

Quebecor Fund

The Quebecor Fund was created through Vidéotron ltée, a company of Quebecor Media Inc., which offers more than $50.8 million per year in contributions from broadcasting distribution undertakings (BDUs) to from Canada film and television industry.

Its mission is to support the development, production, marketing and export of quality content and its exploitation on various platforms. To date, Quebecor Fund programs have paid out a total of more than $126 million.

The Board is responsible for all decisions relating to the Fund, including its priorities, and is fully and exclusively responsible for its funding decisions. The date for the next round of funding under the Television Production Assistance Program is Monday, October 3, 2022, unless otherwise noted on the website. For reasons of environmental responsibility and efficiency, all applications for all programs must now be submitted electronically. For more information, visit www.quebecorfund.ca.

SOURCE QUEBECOR FUND

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